The match-striker’s sandstone body mounted in silver in the form of a heavy set anthropomorphised toad, with one hand on its hip, the other holding its knee and looking upwards forlornly.
The matches are taken from a cavity in his back and struck against his sandstone body in order to light them.
Workmaster: Julius Rappoport, St. Petersburg, before 1896.
Fabergé in London: Romance to Revolution, Victoria & Albert Museum, London 2021-2022.
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